The 2017 British independent film God's Own Country is about the Yorkshire countryside, two homosexual men, plenty of sheep and a sense of nostalgia. Filled with the ambition of timelessness, the story, or a dreamy fairytale, does not happen in a specified time. Characters speak with a strong regional accent, and I struggle to catch every word. But that turns out to be a minor concern: the film does not demand its audience to catch every word; instead, it invites them for a visually intimate experience with two blessed young men falling in love, alongside an earnest, affecting depiction of humanity.
CARPE NOCTEM 